3 Seasons

3 Seasons Flow Chart

3 Seasons Flow Chart

Alright, I know this map is a little archaic, but I finally figured out what I’m doing with the seasons! It means a little backtracking to edit out some of the insinuations about winter, but I am totally willing to go there, because I can ascribe a different season per volume!

Volume 1 → Planting Season {spring equivalent}
Volume 2 → Mating Season {summer equivalent}
Volume 3 → Frozen Season {winter equivalent}

I know Fall is not on the list. Sorry autumn-lovers, but I’m throwing it out. It’s simply not a romantically productive season. Planting season has to do with birth and rebirth (of both plants and animals), Mating season has to do with heat (both sexual and sunshine), and Frozen season has to do with cold (which necessitates hibernation, staying inside, being under the covers, and sharing body heat). If I put harvest at the end of Planting season, making Planting season literally all about plants (from planting seeds to harvesting crops), and make Mating season the red-hot time when all greenery dies out, that eliminates the need for Fall.

Only three seasons–another little way to remind you that this is a fantasy, and a thematic way to distinguish between volumes. The season doesn’t matter so much to volume 1. But in volumes 2-3…well, you’ll see the difference–psychologically, leading to action.

So…that puts us in Mating Season for volume 2. I seriously hope you can guess from that what is going to transpire.

Which means volume 3 will have battle scenes in the bitter cold. Awesome. Death all around.

(And no, I’m not saying that last bit to be morbid. >_< )

Crayola Colors

I’m starting to feel like Mistress Healer with all the eye colors I’m drafting up! Suddenly I have a very deep appreciation for Crayola, what with naming their boxes of over 200 crayons. I thought all their crayon names were weird back then—I mean, seriously, Apricot versus Peach? Cerulean versus Cornflower versus Cyan? But now that I’m trying to figure out how many different ways I can say blue, pink, purple, green, or brown, suddenly all those years of coloring books and crayons were good for more than just honing motor skills and precursors to school projects. Who knew I’d end up expanding that expertise to novel-writing—illustrations with words and not just pictures?

Intro to Chapter 10

daggerWith two main maps of Rome’s mansion posted, and a third map underway, my mind is now moving from hidden doors and secret passageways to the puzzles, stereotypes, and inner workings of society. Much to my chagrin, I have been forced to map out a rough sketch of Labriella’s town, thereby adding to the growing number of maps rattling around in my head. Without at least a rough sketch of the town, it is almost impossible to determine where Rome should go next in his quest for information, or what types of people he will meet and the nature of the help he will receive.

Sexism scouts be warned: This story will have all kinds of stereotypes. It is not that I endorse stereotypes. On the contrary: I make stereotypes to break them. It is my personal understanding that, while people hate to be put in a category, because everyone wants to be thought “unique” and “original,” each person either enjoys or overlooks the advantages of having a stereotype forced onto them, to either their advantage or their downfall.

What do I mean?

I mean if you are considered a “jock,” many people may say you are good at sports and nothing else. The jock has the advantage, because people are expecting them to use brawn instead of brains. By using quick wit and intellect, the jock may overpower their unsuspecting opponent in a heartbeat, at the time of their choosing.

I mean if you are considered a “nerd,” many people may assume that your only redeeming quality is your above-average intelligence. The nerd has the advantage, because people expect them to rely on good grades and lengthy explanations full of big words to get them through life. But many nerds are deemed such because they care more for their mind than their appearance, and at the drop of a hat, if they really wanted to, they could show the outward beauty they’ve had all along and stun their opponents into shocked silence.

I mean that nobility, merchants, business owners, bartenders, common people, servants, prostitutes, doctors, and priests, heroes and villains, men and women, major and minor characters, are all expected to act a certain way, and while they may be trapped by the heavy weight of expectations others have put on them due to their station, they are also granted advantages due to their station, borne of the element of surprise and the opportunity for the unexpected.

There is the added bonus that most people label what they are afraid of. For instance, the average high schooler might be afraid of the jock’s physical strength or the nerd’s genius or the artist’s viewpoint. People are afraid of talents and abilities they believe they do not have, skills or experiences they believe will give others the upper hand and make them vulnerable. People persecute what they don’t understand, misinterpreting it as a threat.

Stereotypes are made to be broken. The story of a beauty and a beast is the epitome of that, no matter the writer or their chosen rendition. It is an inescapable contrast borne of other people’s labels induced upon that which they can and cannot understand.

And so I set about to make a society in order to break it, that it might be remade, and then broken again, and so on. Is our society not one which constantly changes? Are stereotypes and tendencies of Rome and Labriella’s world so different from the history (and in many ways, the present) world of our own? Just because we don’t like certain events in our history, doesn’t mean they didn’t happen. Just because we don’t like certain aspects of our society, doesn’t mean they don’t exist, or that we don’t have to deal with them–many times on a daily basis.